{"id":890,"date":"2022-09-05T18:08:00","date_gmt":"2022-09-06T00:08:00","guid":{"rendered":"https:\/\/femmusic.com\/?p=890"},"modified":"2024-02-19T18:30:08","modified_gmt":"2024-02-20T01:30:08","slug":"waax-maz-devita","status":"publish","type":"post","link":"https:\/\/femmusic.com\/2022\/09\/05\/waax-maz-devita\/","title":{"rendered":"Waax \u2013 Maz DeVita"},"content":{"rendered":"\n<p>In case you missed it, August had one of the best releases of the year come out. <em>At Least I\u2019m Free<\/em> in the sophomore album by Australian band Waax.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"599\" src=\"https:\/\/femmusic.s3.us-west-1.amazonaws.com\/wp-content\/uploads\/2024\/02\/At-Least-Im-Free2.png\" alt=\" At Least I\u2019m Free\" class=\"wp-image-909\" srcset=\"https:\/\/femmusic.s3.us-west-1.amazonaws.com\/wp-content\/uploads\/2024\/02\/At-Least-Im-Free2-600x445.png 600w, https:\/\/femmusic.s3.us-west-1.amazonaws.com\/wp-content\/uploads\/2024\/02\/At-Least-Im-Free2-300x300.png 300w, https:\/\/femmusic.s3.us-west-1.amazonaws.com\/wp-content\/uploads\/2024\/02\/At-Least-Im-Free2-150x150.png 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\"><\/figure>\n\n\n\n<p>It features \u201cNo Doz\u201d co-written by K. Flay, \u201cDangerous\u201d co-written by Linda Perry, \u201cMost Hated Girl\u201d, \u201dHelp Me Hell\u201d and \u201cRead Receipts.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"WAAX - Dangerous \/ Help Me Hell\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/pBfrg_nGDt4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Waax is Maz DeVita, James Gatling, Ewan Birtwell and Tom Bloomfield. Their first album <em>Big Grief<\/em> came out in 2019 and was produced by Bernard Fanning &amp; Nick DiDia who have worked from everyone from Powderfinger to Pearl Jam. When making their second album, Waax brought them back.<\/p>\n\n\n\n<p>Waax is a post punk powerhouse with driving guitars. Waax demonstrates a fierce independence in style and craft. FEMMUSIC was honored to email with Maz DeVita about the new album before they start touring in October. #waax_band<\/p>\n\n\n\n<p>FEMMUSIC: What was the biggest challenge making <em>At Least I\u2019m Free<\/em>?<\/p>\n\n\n\n<p><strong>MD: The most obvious one is the pandemic! Trying to stay focused and keeping things on track was difficult when the world was falling apart. But like everyone else, we kept the faith and soldiered on.<\/strong><\/p>\n\n\n\n<p>FEMMUSIC: What were your goals with the album?<\/p>\n\n\n\n<p><strong>MD: To be as authentic to ourselves as possible. And to make a record with zero rules or expectations!<\/strong><\/p>\n\n\n\n<p>FEMMUSIC: Bernard Fanning &amp; Nick DiDia produced the album. They produced your first album, <em>Big Grief<\/em>. What made you decide to work with them again? What was different working with them this time?<\/p>\n\n\n\n<p><strong>MD: It was a situation that sort of just appeared naturally! The timing was right and it felt right. The difference this time was that we have a bit more experience under our belts and it felt more relaxed.<\/strong><\/p>\n\n\n\n<p>FEMMUSIC: What lessons did you learn making <em>Big Grief<\/em> that prepared you to make <em>At Least I\u2019m Free<\/em>?<\/p>\n\n\n\n<p><strong>MD: I learnt to trust my instincts and my worth as a songwriter. I feel like with the first album I was a bit unsure of myself &#8211; after releasing it I did a lot of personal growth and when this record came around I knew I was fully aware of my port and properly believed in myself.<\/strong><\/p>\n\n\n\n<p>FEMMUSIC: Tell me about your writing collaborations. What were you looking for in working with Linda Perry &amp; K. Flay? What was unexpected?<\/p>\n\n\n\n<p><strong>MD: I was hungry for experiences &#8211; which is always something deeply ingrained in me. So having the opportunity to go to LA and have these sessions was the dream. I didn\u2019t think I expected to be so changed by the trip. It made me fall in love with LA and the magic that can be had there. Linda taught me to embrace my raw vocal tone and K.Flay taught me how to be more rhythmic with my phrase delivery.<\/strong><\/p>\n\n\n\n<p>FEMMUSIC: On a similar vein, how is your songwriting different when you write alone (or in band) vs co-writing with someone else?<\/p>\n\n\n\n<p><strong>MD: I think I pick up on everyone\u2019s energy when I\u2019m in a session so it changes day to day no matter who I\u2019m in a room with.<\/strong><\/p>\n\n\n\n<p>FEMMUSIC: What one thing would you like to change about the music business?<\/p>\n\n\n\n<p><strong>MD: I think people need to be more transparent. Fuck the illusion. It\u2019s hard work and people can be fake. Expect to learn some lessons<\/strong>.<\/p>\n\n\n\n<p>FEMMUSIC: What song, not your own, has had the biggest impact of you and why?<\/p>\n\n\n\n<p><strong>MD: \u201cTime (The Revelator)\u201d by Gillian Welch. Every line in that song is the ultimate truth. You can try to predict the future as much as you want but at the end of the day time is the true revelator.<\/strong><\/p>\n\n\n\n<p>FEMMUSIC: As a woman in the music business, how have you been discriminated against, and what mechanisms do you use to overcome it?<\/p>\n\n\n\n<p><strong>MD: I feel like more so in the earlier years of my career, people have tried to sway my decisions or make me second guess myself even if they\u2019re coming from a place of good intent. It\u2019s annoying. I just make sure I keep people accountable where I can and walk away from situations that feel like they\u2019re not respecting my authority.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In case you missed it, August had one of the best releases of the year come out. At Least I\u2019m<\/p>\n","protected":false},"author":1,"featured_media":891,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[407,405,408,404,406,409,413,412,415,410,414,411,416,418,420,419,417,421,422],"class_list":["post-890","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-at-least-im-free","tag-bernard-fanning","tag-big-grief","tag-dangerous","tag-ewan-birtwell","tag-gillian-welch","tag-help-me-hell","tag-james-gatling","tag-k-flay","tag-linda-perry","tag-maz-devita","tag-most-hated-girl","tag-nick-didia","tag-no-doz","tag-pearl-jam","tag-powderfinger","tag-read-receipts","tag-tom-bloomfield","tag-waax"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Waax \u2013 Maz DeVita - FEMMUSIC Magazine<\/title>\n<meta name=\"description\" content=\"Waax \u2013 Maz DeVita - Interviews - FEMMUSIC Magazine\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/femmusic.com\/2022\/09\/05\/waax-maz-devita\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Waax \u2013 Maz DeVita - FEMMUSIC Magazine\" \/>\n<meta property=\"og:description\" content=\"Waax \u2013 Maz DeVita - Interviews - FEMMUSIC Magazine\" \/>\n<meta property=\"og:url\" content=\"https:\/\/femmusic.com\/2022\/09\/05\/waax-maz-devita\/\" \/>\n<meta property=\"og:site_name\" content=\"FEMMUSIC Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/FemmusicMagazine\" \/>\n<meta property=\"article:published_time\" content=\"2022-09-06T00:08:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-20T01:30:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/femmusic.s3.us-west-1.amazonaws.com\/wp-content\/uploads\/2024\/02\/pBfrg_nGDt4.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Webmaster\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@femmusicmag\" \/>\n<meta name=\"twitter:site\" content=\"@femmusicmag\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Webmaster\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/femmusic.com\/2022\/09\/05\/waax-maz-devita\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/femmusic.com\/2022\/09\/05\/waax-maz-devita\/\"},\"author\":{\"name\":\"Webmaster\",\"@id\":\"https:\/\/femmusic.com\/#\/schema\/person\/d9733338f7134799d7e4badbd7d0b56d\"},\"headline\":\"Waax \u2013 Maz DeVita\",\"datePublished\":\"2022-09-06T00:08:00+00:00\",\"dateModified\":\"2024-02-20T01:30:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/femmusic.com\/2022\/09\/05\/waax-maz-devita\/\"},\"wordCount\":712,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/femmusic.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/femmusic.com\/2022\/09\/05\/waax-maz-devita\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/femmusic.s3.us-west-1.amazonaws.com\/wp-content\/uploads\/2024\/02\/pBfrg_nGDt4.jpg\",\"keywords\":[\"At Least I\u2019m Free\",\"Bernard Fanning\",\"Big Grief\",\"Dangerous\",\"Ewan Birtwell\",\"Gillian Welch\",\"Help Me Hell\",\"James Gatling\",\"k. 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