{"id":34234,"date":"2021-07-22T20:11:00","date_gmt":"2021-07-23T02:11:00","guid":{"rendered":"https:\/\/femmusic.com\/?p=34234"},"modified":"2024-02-20T20:16:17","modified_gmt":"2024-02-21T03:16:17","slug":"may-rio","status":"publish","type":"post","link":"https:\/\/femmusic.com\/2021\/07\/22\/may-rio\/","title":{"rendered":"May Rio"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"808\" height=\"1024\" src=\"https:\/\/femmusic.s3.us-west-1.amazonaws.com\/wp-content\/uploads\/2024\/02\/May-Rio-1k-808x1024.jpg\" alt=\"May Rio\" class=\"wp-image-34235\" style=\"width:800px\" srcset=\"https:\/\/femmusic.s3.us-west-1.amazonaws.com\/wp-content\/uploads\/2024\/02\/May-Rio-1k-808x1024.jpg 808w, https:\/\/femmusic.s3.us-west-1.amazonaws.com\/wp-content\/uploads\/2024\/02\/May-Rio-1k-237x300.jpg 237w, https:\/\/femmusic.s3.us-west-1.amazonaws.com\/wp-content\/uploads\/2024\/02\/May-Rio-1k-768x973.jpg 768w, https:\/\/femmusic.s3.us-west-1.amazonaws.com\/wp-content\/uploads\/2024\/02\/May-Rio-1k-1000x600.jpg 1000w\" sizes=\"auto, (max-width: 808px) 100vw, 808px\"><\/figure>\n\n\n\n<p>May Rio spent years with her band Poppies. She has now released her solo album <em>Easy Bammer<\/em>. It features singles \u201cButter\u201d, \u201cI C\u201d, \u201cParty Jail\u201d, and \u201cReservations.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"May Rio - &quot;Reservations&quot; (Official Music Video)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/2qpxzaT432k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>May says of the track, &#8220;Reservations&#8221; is one of the first songs I wrote for this album&#8211;it came when I was isolated, alone, at the beginning of lockdown. There was someone I was very fond of, who was sort of early on in the stages of a heroin recovery. You know, when you know something is kind of doomed but you flutter every time their name comes up on your phone anyway.\u201d<\/p>\n\n\n\n<p><em>Easy Bammer<\/em> is May Rio\u2019s, real name May Sembera, quarantine album. It is produced by Tony or Tony and mixed by Sarah Register. At the beginning of lockdown, May decided to sign up for a free three-month trial of the digital audio workstation Ableton, of which she says, \u201cIt was intimidating at first \u2014 I never have (and never will be) a computer person, but I was inspired by the music a number of friends had made with this program. I was pumping out demos, and at some point figured I may as well turn them into real records.\u201d The blending of May\u2019s beguiling ear-worm pop songs and Tony 1\u2019s left-field production proved to be an initial success, enough so to plan more sessions.<\/p>\n\n\n\n<p><em>Easy Bammer<\/em> is not your normal album. It is filled with quick songs, with deep meaning and a soundscape that is DIY electropop mixed with a punk edge. For info visit <a class=\"\" href=\"https:\/\/mayrio.cool\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/mayrio.cool\/<\/a><\/p>\n\n\n\n<p><strong>FEMMUSIC: &nbsp;What was the biggest challenge making <em>Easy Bammer<\/em>?<\/strong><\/p>\n\n\n\n<p>MR: I&#8217;m not going to say it was easy to make, because so much work did go into it. But it&#8217;s hard to look back on the process and think of any real difficulties. How it came together, in all aspects really, felt natural and smooth. Probably the most stressful part of the process for me is mixing\u2014I get really tripped up with small choices especially. But luckily I have some wonderful friends who have the patience to talk me down when I&#8217;m feeling overwhelmed.<\/p>\n\n\n\n<p><strong>FEMMUSIC: What were your goals for the album?<\/strong><\/p>\n\n\n\n<p>MR: It&#8217;s easy for me to write sad songs, I&#8217;ve done a bunch of that. And not that I&#8217;m done with those, but I wanted to make something that I would just have fun listening to.<\/p>\n\n\n\n<p><strong>FEMMUSIC: What changed about your process for a solo album vs making music with the Poppies?<\/strong><\/p>\n\n\n\n<p>MR: It was different in just about every way. With Poppies, we\u2019d track the basics live, and never to a click. Also, we&#8217;d work on songs for a long time\u2014sometimes years. There&#8217;d be a lot of back and forth, trying out different versions of songs. For Easy Bammer, I would write a song, and then maybe even just a couple days later I\u2019d bring it over to Tony 1 and we\u2019d bang it out in one intense session. I think that energy comes through\u2014the recordings feel fresh to me. We can both be kind of intense people, and our working relationship is cool because we&#8217;re both very quick with our ideas, and both pretty decisive.<\/p>\n\n\n\n<p><strong>FEMMUSIC: What were you looking for in a producer for the album? What did Tony or Tony bring to the project?<\/strong><\/p>\n\n\n\n<p>MR: Initially I really didn&#8217;t know what I was looking for. I mean, someone I felt comfortable with, obviously. But in terms of sound, my only real starting point was that I knew I didn&#8217;t want to make something that sounded like Poppies\u2014otherwise why not just put these songs into Poppies? I hit up a couple artists whose work I really admired, had a couple trial days with different people, just sort of exploring what this could sound like. Actually, I wasn\u2019t so sure about Tony 1 before we started, just because when we talked he told me he\u2019d never produced for anyone else before. But yeah, our first day of tracking we really just dove in and I knew right away this was it, this was how I wanted it to sound. It was such a high.<\/p>\n\n\n\n<p>Tony or Tony brought so much to this album. Tony 1 and I\u2014I think our skills really complement each other\u2019s. He\u2019s obsessed with classical music. It\u2019s kind of crazy actually, he\u2019s only been playing piano a few years, but you would think he\u2019s been playing all his life. It\u2019s inspired me to try to learn piano for real. But yeah, I think a lot of his obsession inspires some really wild arrangements. We have a really good musical chemistry, and we\u2019re very direct with each other. It does feel like we\u2019re always on the same page about things.<\/p>\n\n\n\n<p><strong>FEMMUSIC: What made you decide to release the album through Dots Per Inch Music? I see with the Poppies you&#8217;ve released on other labels.<\/strong><\/p>\n\n\n\n<p>MR: Actually, yeah\u2014Poppies was never on a label. We did some one-off deals with labels where they\u2019d make a batch or tapes or records for us, keep half. That kind of thing. But no, we were never on a label, I think we were pretty hesitant to sign with anyone for a long time.<\/p>\n\n\n\n<p>With DPI, I loved the roster through and through. Usually with labels it\u2019s pretty split with me how I feel about their artists. The artists on DPI all seemed very original to me, they\u2019re all doing their own thing. One night I was shuffling through the three songs that Tony 1 and I had tracked so far, and kind of on a whim I hit up Tom (who runs DPI) to see if he\u2019d be interested in taking a listen. We ended up meeting for coffee a couple days later, and yeah, that conversation made me feel confident about working with him. I trusted him, he didn\u2019t try to tell me that there was any one right way to do things. I talked to other artists on his label who had only nice things to say. It was cool, it just felt right\u2014I didn\u2019t feel the need to shop it around or anything. And honestly, it\u2019s been a dream label experience. Tom\u2019s got a lot of integrity, but he always just knows his shit through and through. That\u2019s kind of a rare combination to find in a label person. Or I don\u2019t know, maybe it isn\u2019t.<\/p>\n\n\n\n<p><strong>FEMMUSIC: What was your favorite thing about making the album?<\/strong><\/p>\n\n\n\n<p>MR: Man, I don\u2019t know. I just love recording so much. I love writing songs, it\u2019s the best feeling. And then recording, you give a song this whole new life. It\u2019s so wild to create this thing that, yeah it came from you initially. But now it\u2019s its own thing out in the world. I guess that\u2019s what people say about having a baby.<\/p>\n\n\n\n<p><strong>FEMMUSIC: Can you describe your songwriting technique?<\/strong><\/p>\n\n\n\n<p>MR: My only real consistent technique is I try to just sit down and show up for it, not quite every day but almost. But I\u2019m always mixing up the routine, I don\u2019t want to get stuck in a rut. You know, sometimes I\u2019ll just bang around on the piano, it\u2019ll start that way. Or it\u2019ll start with a guitar riff. Sometimes I\u2019ll have a vocal melody I\u2019ve been singing to myself that\u2019s fully formed. I keep a book of lyrics, but it\u2019s really unusual that the lyrics come first\u2014it does happen though. On the rarest of occasions, a song will just come out fully\u2014lyrics and melody together. But yeah, I don\u2019t know theory or anything (though I\u2019m getting to the point where I\u2019d like to learn some basics). I just follow my ear.<\/p>\n\n\n\n<p><strong>FEMMUSIC: What song, not your own, has had the biggest influence on you, and why?<\/strong><\/p>\n\n\n\n<p>MR: I can\u2019t say that SZA\u2019s \u201cSupermodel\u201d has influenced anything I\u2019ve written so far, but it\u2019s definitely impacted me. It\u2019s one of the craziest songs I\u2019ve ever heard\u2014it\u2019s just so raw, it feels like it came straight out of her. Like it wasn\u2019t even written. I know a lot of people channel artists when they\u2019re writing a song; I\u2019ve never done that. I think this was the first time I thought, damn, I want to write a song like that.<\/p>\n\n\n\n<p><strong>FEMMUSIC: What challenges, if any, have you faced as a woman in the music industry? And how did you overcome them?<\/strong><\/p>\n\n\n\n<p>MR: A lot of the challenges are not so obvious. You can tell something is wrong, someone is treating you as lesser than, but then you\u2019ll have someone else tell you that what you\u2019re seeing is not really there. Sometimes it is more obvious. Like, I went into a Guitar Center to replace an amp on tour. My bandmate (a guy) came in with me. I was the one shopping, I was the one plugging in my guitar to different amps and seeing how they sounded. But the sales rep, whenever he started talking about the amps I was looking at, he\u2019d be talking to my bandmate instead of me. Oh, it pissed me off. I said something to the sales rep after, just like pointing out to him why that was not okay. He seemed genuinely surprised.<\/p>\n\n\n\n<p>Poppies had a band member (who we eventually fired) who was always insistent that I should never stand in the middle on stage\u2014the reasoning being that because I was the only woman in the band, I already had more attention on me. Never mind that I was the lead singer. I don\u2019t know, things like that made me uncomfortable to take up more space. I would try and make myself smaller. The final iteration of the band was better. But I would say that with most of my friends being a least a little queer, it ended up being pretty hard on me, being in a band with three very straight cis dudes.<\/p>\n\n\n\n<p><strong>FEMMUSIC: What one thing would you like to change about the music industry?<\/strong><\/p>\n\n\n\n<p>MR: There are a lot of changes I would like to see! But I think one of the most pressing issues is that artists should be compensated by streaming platforms for the work they break their backs to make. Spotify currently pays artists around $0.0032 per stream. How, in any world, does that make sense?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>May Rio spent years with her band Poppies. She has now released her solo album Easy Bammer. It features singles<\/p>\n","protected":false},"author":1,"featured_media":34235,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-34234","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>May Rio - FEMMUSIC Magazine<\/title>\n<meta name=\"description\" content=\"May Rio - Interviews - FEMMUSIC Magazine\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/femmusic.com\/2021\/07\/22\/may-rio\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"May Rio - 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